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・ Anna Katharine Green
・ Anna Kathryn Holbrook
・ Anna Katzmann
・ Anna Kaufmann
・ Anna Kavan
・ Anna Kawamura
・ Anna Kazanjian Longobardo
・ Anna Kazantseva
・ Anna Kazejak-Dawid
・ Anna Kańtoch
・ Anna Keaveney
・ Anna Keay
・ Anna Keichline
・ Anna Kendrick
・ Anna Kennedy
Anna Kepe
・ Anna Kerstin Otto
・ Anna Kerth
・ Anna Kharitonova
・ Anna Khnychenkova
・ Anna Kiełbasińska
・ Anna Kikina
・ Anna Kilponen
・ Anna Kimbrell
・ Anna Kinberg Batra
・ Anna King
・ Anna King (artist)
・ Anna King (disambiguation)
・ Anna Kingsford
・ Anna Kingsley


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Anna Kepe : ウィキペディア英語版
Anna Kepe

Anna Kepe (born 1977) is a director, actress, producer, pedagogue and entrepreneur. Kepe received her MFA from The Shakespeare Theatre, Academy for Classical Acting in Washington, D.C. under the direction of Michael Kahn.
== Career ==
Kepe directed a performance of German composer Karlheinz Stockhausen's theatrical percussion-ensemble work ''Musik im Bauch'' at the Peabody Conservatory in Baltimore, Maryland.〔(blessed unrest )〕 No stranger to opera, Kepe created the physical theater movement for the world premier of Donald Knack's (a.k.a. the Junkman) opera ''Odin''.〔(Pro-Mark Drumsticks )〕 The ''New York Times'' described this production as an unqualified success while "raw energy coursed through the piece".〔("Odin" Receives Rave Reviews in the New York Times - NYU Steinhardt News )〕
Kepe's cameo appearance on the Macbeth inspired composition ''The Charm'' written by composer Michael Udow can be heard on the Equilibrium record label. Kepe combines her Shakespearean expertise and narration with an ensemble instrumentation that includes the world's largest timpani (74"diameter) and 10 sets of 14-foot chimes.
Kepe has been a featured director and teacher at the Aspen Music Festival combing movement with music featuring the music of Dmitri Shostakovich, Alfred Schnittke and Frank Zappa, all combined with original choreography and physical movement, created by Kepe.
Most recently Kepe has created, directed and presented a series of performances of Philip Glass's rendering of the ''Prelude to Endgame'' at New York University, the Latvian National Conservatory (Riga) and as a featured artist at the Percussive Arts International Convention in Austin, Texas. Complementing her innovative vision of this Becket's work, she has created an equally compelling interpretation of Sam Shepard's one act play, ''Tongues'' having directed and performed this work with internationally renowned percussionist/timpanist Jonathan Haas. Kepe returned from Barbados, W.I. where she directed Mozart's ''Cosi Fan Tutte'' at The Holders Season.
Kepe has hosted the Exceptional Young Artists Fund - Gidon Kremer and KREMERATA Baltica Gala Concert at The Purchase Performing Arts Center in Purchase, as well as a benefit concert at the Scandinavia House featuring Gidon Kremer and KREMERata Musica Concert at The Kosciuszko Foundation in NYC. Stephen Pulp's PANGEA featured Kepe at the Page-To-Stage festival at The Kennedy Center, Washington, DC and with Blessed Unrest Theatre Company in NY in ensemble created collaboration The James Wilde Project.
Future projects include directing playwright David Ives's, ''Philip Glass Buys A Loaf Of Bread'' at the Loewe Theater, New York University as part of a 70th birthday celebration for Philip Glass, acting in the 365 Days/365 Plays project at the Public Theater.
Kepe coaches privately and has worked with the summer Acting Shakespeare camp and workshops at The Texas Shakespeare Festival.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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